After the rise of planet of apes, the director has finally carved the Dawn of the Planet of the Apes to the big screens. The director accomplishes to do at least three things remarkably well that are hard enough to pull off individually: Maintain a rumbling level of tension without let-up for two hours, seriously rally on a very good first entry in a franchise and produce a authoritative humanistic proclamation using a ominously simian cast of typescripts.
Dawn of the Planet of the Apes picks up an intact decade after the end of the earlier film, and the horrors of those tenyears have been alluded to in the trailers by Gary Oldman’s character which is a wise move. Starring impactful characters like Andy Serkis, Gary Oldman, Jason Clarke, Judy Greer, Keri Russell, Kodi Smit-McPhee this movie revolves around a mounting nation of genetically developed apes led by Caesar, is threatened by a band of human stayers of the shattering virus unbridled a decade earlier. They reach a crumbly peace, but it proves short-lived, as both sides are brought to the brim of a war that will regulate who will arise as Earth’s dominant species.
Dawn of the Planet of the Apes is finally arriving in theaters on 11th July. It was made on a comparatively limited budget. Dawn of the Planet of the Apes is filled with incredibly powerful and divergent personalities & remarkably many of its performances are digitally constructed. Nothing can stop the hysteria train for Dawn of the Planet of the Apes now, because it is described as everything from ruthless to a true cinematic masterpiece, with splendidness.
Dawn of the Planet of the Apes picks up ten years after the end of Rise of the Planet of the Apes. Human civilization has been emaciated by the spread of the Simian Flu, which scrapped the population of humanity to a mere shadow of its former self, even as Caesar’s community of intelligent apes grew in forte. After years of sickness and in-fighting among humans, the two tribes clash once more and must decide whether to declare war or peace. Although the trailers and movie title have already kind of given away the direction that they eventually find themselves heading in.
Matt Reeves’ phenomenal feature weaves the technological mastery of Weta together with uniformly strong performances and an intellectual script, for a film that is as opulent philosophically as it is aesthetically. Though speckled with moments of flippancy, DOTPOTA is a thought provoking and striking dialogue on the concept of trust which hits no wrong notes. Full reviews for Dawn of the Planet of the Apes are almost universally positive.
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